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・ Pietro Lauri
・ Pietro Lazzari
・ Pietro Lazzarini
・ Pietro da Cortona
・ Pietro da Pavia
・ Pietro da Pietri
・ Pietro da Rimini
・ Pietro Dalle Vedove
・ Pietro Damini
・ Pietro Dandini
・ Pietro De Camilli
・ Pietro De Giorgio
・ Pietro De Vico
・ Pietro de' Crescenzi
・ Pietro de' Medici
Pietro degli Ingannati
・ Pietro Deiro
・ Pietro del Donzello
・ Pietro del Monte
・ Pietro del Po
・ Pietro Delfino
・ Pietro Delitala
・ Pietro Della Valle
・ Pietro Della Valle Italian School
・ Pietro della Vecchia
・ Pietro della Vigna
・ Pietro Denis
・ Pietro Desani
・ Pietro di Bagnara
・ Pietro di Campofregoso


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Pietro degli Ingannati : ウィキペディア英語版
Pietro degli Ingannati

Pietro degli Ingannati, also Pellegrino di Giovanni di Antonio, (active 1529-1548) was an Italian painter active in a Renaissance style. His exact dates of birth and death are not known.
Ingannati was probably born in Veneto. He was formerly confused with Francesco Bissolo, whose work is very close in style. He trained in the studio of Alvise Vivarini. His early works show the influence of Giovanni Bellini, especially in the composition, although his art is closer to artists like Lazzaro Bastiani, Marco Basaiti or Benedetto Rusconi. Later, his style will be more strongly Bellini, approaching the way of painting by Vincenzo Catena and superficial influence of innovations introduced by Giorgione.
Ingannati adapted the theme of the Sacra Conversazione so typical of Venetian painting, including repeating patterns, especially in the figures. This type of motif was popularized by Titian. However, artists like Ingannati or Rocco Marconi continued attached to an archaic style that copied the essence but not the innovations of the most advanced Venetian masters as Francesco Vecellio or Palma Vecchio, without losing the taste for the classic color of the Venetian school.
A painting by Ingannati is displayed in the Museum of Fine Arts, Houston, Texas.
==References==

* The Grove Dictionary of Art, MacMillan Publishers (2000)
* Joseph Freedberg Sydney (1978). Painting in Italy, 1500-1600. Editorial Chair, Madrid. ISBN 84-376-0153-3
* Irina Artemieva and Mario Guderzo, veneto Cinquecento. Pintures de l'Ermitage. Ed Skira / Mnac. (2001)
* Thyssen-Bornemisza Collection in the National Museum of Art of Catalonia, catalog (2004), ISBN 84-96233-15-4, Pages 94-97.


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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